This is a short excerpt from one of the many (and very long!) conversations I shared with Pedro Martinelli—always accompanied by memorable meals, plenty of laughter, and an endless exchange of knowledge. 1. You began your career in photography through photojournalism. Do you remember your very first assignment? There wasn't really a first official assignment. In the beginning, I was just helping out here and there. But I clearly remember my first real opportunity at A Gazeta

Created by F/Nazca, this campaign for Leica Store São Paulo featured every visible Leica logo covered with black tape. The concept was inspired by Henri Cartier-Bresson, who famously covered the Leica logo on his camera before taking to the streets. By making the camera less conspicuous, he was able to photograph people more naturally, capturing spontaneous moments rather than posed reactions.

The opening of NUCLE1 – Integrated Arts Center marks the emergence of a new gravitational field for contemporary art in São Paulo. Located in the Aclimação district, the eight-story, 1,500-square-meter building was conceived as a multidisciplinary and collaborative space, inspired by historical models such as the Bauhaus and Andy Warhol's Factory, where art, critical thought, and experimentation coexisted as driving forces of cultural transformation. On March 28, 2026, the da

In May 2017, I took part in a group exhibition alongside fellow members of Coletivo Imagineiro, a collective founded by Roger Sassaki and dedicated to the study and practice of historic photographic processes. For this exhibition, we chose to work with the ambrotype, a nineteenth-century photographic process that produces unique images on glass, rich in materiality, time, and imperfection. Working with the ambrotype is an exercise in slowing down. Each photograph demands pres